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Film Music Seminar Programme
9-Jul-2002 - THURSDAY 17 October 2002
14.00
HOW TO GET A HEAD START IN FILM SCORING?
What are the right moves to penetrate the film music sector? How important is it to develop creative partnerships with filmmakers? A Q&A will conclude the afternoon program.
17.30 end.
FRIDAY 18 October 2002
09.30
KEYNOTE SPEECH: "THE IMPACT OF MUSIC ON FILM"
by Arthur Hamilton
10.00
THE STATE OF FILM MUSIC TODAY
After an introduction by Marilyn Bergman, this two-part session will be looking at both artistic and professional aspects related to film music today. The sessions will investigate where film music stands today, after 75 years of mechanical sound. How does the future look for film music and composers in terms of opportunities, challenges and dangers (piracy, MP3, DVD, etc.)? Will the role of the film composer change in the 25 years? How to increase public awareness for film scores and their composers? Etc.
Lunch concert by New Art Trio performing music from film composers like Nino Rota, Ennio Morricone, Astor Piazolla, Adrian Williams and Frédéric Devreese.
14.00
SYMPHONIC VS. ELECTRONIC – DIFFERENT WAYS OF APPROACHING FILM SCORING
After a brief introduction, composers will talk about their working methods. The first session will discuss scoring methods for the more traditional symphonic film music, while the second will look at embracing new, electronic technologies. A Q&A will conclude the afternoon sessions.
17.30 end
The World Soundtrack Awards and Flanders Film Music Seminar are supported by SABAM, DREAMS Magazine, FILM SCORE MONTHLY, MUSIC FROM THE MOVIES, SCORE and DON’T COPY MUSIC.
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